UNDER PRESSURE, OVER TIME

m-welch: herenowcreative: Michael Welch – night vision Every Tuesday at HERENOW we do an exercise where we are given a theme and parameters and we have to create something in 30 minutes. This week we drew super powers from a hat and had to illustrate them including ourselves. I got “night vision.” View Larger

m-welch:

herenowcreative:

Michael Welch – night vision

Every Tuesday at HERENOW we do an exercise where we are given a theme and parameters and we have to create something in 30 minutes.

This week we drew super powers from a hat and had to illustrate them including ourselves. I got “night vision.”

Reblogged 1 month ago from m-welch (Originally from herenowcreative) 10 notes
halogenic: Marina Abramović - The Artist Is Present: This emotional exhibit, held in the Museum of Modern Art for three months in early spring 2010, featured Abramović sitting in a chair for the entirety of the day at the museum. Visitors were encouraged to sit silently across from the artist for a duration of their choosing, becoming participants in the artwork. Abramović, acting as an “emotional mirror” to the patrons, silently stared at them, often inducing deeply profound and heartbreaking reactions. halogenic: Marina Abramović - The Artist Is Present: This emotional exhibit, held in the Museum of Modern Art for three months in early spring 2010, featured Abramović sitting in a chair for the entirety of the day at the museum. Visitors were encouraged to sit silently across from the artist for a duration of their choosing, becoming participants in the artwork. Abramović, acting as an “emotional mirror” to the patrons, silently stared at them, often inducing deeply profound and heartbreaking reactions. halogenic: Marina Abramović - The Artist Is Present: This emotional exhibit, held in the Museum of Modern Art for three months in early spring 2010, featured Abramović sitting in a chair for the entirety of the day at the museum. Visitors were encouraged to sit silently across from the artist for a duration of their choosing, becoming participants in the artwork. Abramović, acting as an “emotional mirror” to the patrons, silently stared at them, often inducing deeply profound and heartbreaking reactions. halogenic: Marina Abramović - The Artist Is Present: This emotional exhibit, held in the Museum of Modern Art for three months in early spring 2010, featured Abramović sitting in a chair for the entirety of the day at the museum. Visitors were encouraged to sit silently across from the artist for a duration of their choosing, becoming participants in the artwork. Abramović, acting as an “emotional mirror” to the patrons, silently stared at them, often inducing deeply profound and heartbreaking reactions. halogenic: Marina Abramović - The Artist Is Present: This emotional exhibit, held in the Museum of Modern Art for three months in early spring 2010, featured Abramović sitting in a chair for the entirety of the day at the museum. Visitors were encouraged to sit silently across from the artist for a duration of their choosing, becoming participants in the artwork. Abramović, acting as an “emotional mirror” to the patrons, silently stared at them, often inducing deeply profound and heartbreaking reactions. halogenic: Marina Abramović - The Artist Is Present: This emotional exhibit, held in the Museum of Modern Art for three months in early spring 2010, featured Abramović sitting in a chair for the entirety of the day at the museum. Visitors were encouraged to sit silently across from the artist for a duration of their choosing, becoming participants in the artwork. Abramović, acting as an “emotional mirror” to the patrons, silently stared at them, often inducing deeply profound and heartbreaking reactions.

halogenic:

Marina Abramović - The Artist Is Present: This emotional exhibit, held in the Museum of Modern Art for three months in early spring 2010, featured Abramović sitting in a chair for the entirety of the day at the museum. Visitors were encouraged to sit silently across from the artist for a duration of their choosing, becoming participants in the artwork. Abramović, acting as an “emotional mirror” to the patrons, silently stared at them, often inducing deeply profound and heartbreaking reactions.

Reblogged 2 months ago from pileofpeonies (Originally from halogenic) 15,023 notes
Why reckon the days? One day is enough for a man to know all happiness. My dear ones, why do we quarrel, try to outshine each other and keep grudges against each other? Let’s go straight into the garden, walk and play there, love, appreciate, and kiss each other, and glorify life.

—

The Brothers Karamazov
Fyodor Dostoyevsky

(via rionner)

Reblogged 2 months ago from pileofpeonies (Originally from rionner) 52 notes